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Improvements in word processing software have leveled off because the average user's needs were satisfied years ago. This is certainly not the case with digital audio and MIDI software. The average audio user demands more power and performance from each upgrade (I know I do!). As someone who works with Cakewalk Pro Audio 8.04 almost every day, I had a long wish list for the next upgrade.
Improvements in word processing software have leveled off because the average user's needs were satisfied years ago. This is certainly not the case with digital audio and MIDI software. The average audio user demands more power and performance from each upgrade (I know I do!). As someone who works with Cakewalk Pro Audio 8.04 almost every day, I had a long wish list for the next upgrade.
Product PointsApplications: MIDI sequencing; digital audio recording/mixing/editing; controlling MIDI studio gear; media authoring for the Internet; film scoring Key Features: Minimal audio latency; real-time fretboard display of MIDI guitar tracks, guitar tablature, instrument tuner; session drummer MIDI plug-in; CPU and hard disk meters; Nytonix Style Enhancer MIDI plug-in; stereo file support; export to MP3 and RealAudio formats Price: $399 (upgrade from prior versions $70) Contact: Contact: Cakewalk at 617-441-7870 Plus + Extremely stable + Includes all the necessary tools for professional MIDI sequencing and digital audio recording and editing + Straightforward user interface Minus - CAL routines are hard to find - Could support more MIDI instruments with StudioWare panels The Score: Easy to see why this is one of the best-selling sequencer/digital audio packages ever. Features Cakewalk Pro Audio 9 ($399; upgrade $70) runs on Windows 95/98 machines with a minimum of 64 MB RAM and a Pentium 200 MHz or higher; 128 MB RAM and a Pentium 300 MHz or higher are recommended. It also runs under Windows NT 4.0 SP5. For MIDI-only applications you won't need anywhere near the suggested minimums; but for audio applications, the more power the better. A Windows-compatible MIDI interface is necessary to hook up samplers and synths, and a Windows-compatible soundcard is needed for digital audio recording and playback. Pro Audio 9 features up to 24-bit audio resolution, with variable sampling rates of 11.025, 22.05, 44.1, 48 and 96 kHz. In addition to supporting Windows-compatible soundcards, Pro Audio 9 supports advanced DSP and mixing features on AudioX-compatible cards, including the Yamaha DSP Factory, Sonorus MEDI/O and others. AudioX is a new standard initiated by Cakewalk that lets soundcard producers write software that makes all the card's features fully available to any software supporting the standard. It delivers direct control over advanced features in audio hardware, such as DSP effects, SMPTE options, low-latency mixing, aux busses and patching. Synching to film and video couldn't be easier because SMPTE/MTC and MIDI Machine Control (MMC) support are included. Of course, the old standby MIDI Sync (smart FSK) can also be used to drive drum machines and the like. AVI, MPEG and QuickTime video formats are supported with frame-accurate sync of video to audio (and MIDI) tracks for loading video files directly into Pro Audio 9. Although all three formats can be imported, audio and video can only be exported back to AVI. To insert QuickTime video files, you'll need the latest version of Windows Media Player (Version 6.4 as of 9/21/99). At present, Pro Audio doesn't support QuickTime3 or greater. Start time, trim-in time and trim-out time can only be set for AVI video files. You can save MPEG or QuickTime files as AVI files to make these settings. The audio mixdown features have been substantially improved. Entire tracks or selected portions can be exported to MP3, RealAudio G2 and Windows Media Technologies 4.0 formats in addition to stereo, mono and dual mono file formats (including WAV) at variable bit depths. When exporting to standard WAV files, the files will always use the same bit-depth as the project; the various streaming formats have adjustable bit-depth. This makes it easier than ever to get your clients' music on the Internet. The 9 release includes the patented Fraunhofer MP3 encoder, which offers the highest MP3 compression available, professional encoding at rates of up to 320 kbps and complete control over all encoding parameters. The audio/MIDI mix console has been redesigned with a more polished look. If you have clients in your studio who need to see something neat, this is the window to keep on your monitor. There were complaints about system latency (the time lag between moving a fader or clicking on a function like solo and hearing the result) in the past. In the worst-case scenario, latency was more than a second or two. Cakewalk Pro Audio 9 features the company's new WavePipe technology, which provides direct communication to Windows WAV-compatible soundcards - greatly reducing system latency and improving the response of your system when executing mixing and other real-time audio processing. On my system, latency is now measured in tenths of a second, not whole seconds. Audio tracks can be auditioned with analog-tape-style audio scrubbing. More importantly, stereo WAV files appear, optionally, as a single track on the track page instead of two tracks panned hard left and hard right. This makes stereo WAV files easier to handle and reduces clutter on the track page. More importantly, it makes it much easier to use stereo plug-ins and envelopes for mixing. My biggest wish was granted: there are two new system meters that provide real-time visual feedback over CPU and disk activity. Every program that works with digital audio should include this feature! One of the most interesting additions is the Nytonix Style Enhancer MIDI FX plug-in, which adds performance data to MIDI tracks. The Vamtech Drumtrax library has been incorporated as Session Drummer MIDI FX plug-in, allowing you to add drum tracks (originally played by live drummers on MIDI controllers) in real time. Cool! Arpeggiator, quantize, delay/echo, MIDI filter, transpose, velocity and chord analyzer plug-in effects are also included. These effects work nondestructively in real time and can be applied destructively off-line. Guitar players will be pleased to see a synchronized, real-time fretboard display below the staff notation window. Guitar tablature editing is supported, and there is a chromatic tuner display for tuning guitars and other instruments through a PC audio card. This is useful for situations in which a five-member band brings four different tuners to the studio. Cakewalk Pro Audio 9 also includes the AmpSim Lite audio plug-in. This permits the addition of vintage amp simulation to digital audio tracks. The new release also has a super cheat sheet that lists keyboard shortcuts, visual depictions of menu commands and toolbar shortcuts and quick start/support details. It comes on heavy paper stock the same size as the manual. I'm going to laminate mine and hang it on the wall of my studio so it will last until the next upgrade. Users of prior versions will note that some menu commands have been moved and others retitled. In use In operation, I've always found Cakewalk very stable. On my 200 MHz Pentium MMX with a Gina soundcard and Seagate Barracuda hard drive, the hard drive maxed out, delivering 10 to 12 stereo tracks while the CPU meter shows approximately 20 percent usage (no audio effects on the tracks). My computer is fairly slow by today's standards - with a faster machine, you can expect upwards of 50-80 tracks. Pro Audio is capable of playing up to 256 tracks. It's great to actually see the extra load on the hard drive and CPU as you add tracks. A lot of guesswork has been eliminated with these new meters. Some of your MIDI gear can be remote-controlled by StudioWare panels included with the program. These panels let you design graphical controls on your PC monitor to manipulate the controls on an external MIDI device. Changes can be recorded and played back as part of a Cakewalk project. Unfortunately, the list of supported devices isn't really that long and it doesn't include anything I actually own in my studio. It takes a lot of time and programming effort to create new controls, although the results would be really useful. It would be great if Cakewalk could team up with one of the major MIDI module editor/librarians to offer a more complete list of supported instruments. The system meters are useful. For the first time, I have a clear idea of how hard (or not) my CPU and hard disk are working. It's interesting to note that a Cakewalk project with only MIDI data doesn't move the CPU load indicator at all; as soon as you start loading audio tracks or plug-ins, the fun begins. It's always possible to submix audio tracks to reduce the load on a CPU and hard disk. Now I can do this when the meters show trouble brewing, not after audio performance begins to suffer. It also gives clients something to look at. Cakewalk includes a macro utility called Cakewalk Application Language (CAL), which lets the user record any sequence of keystrokes into a macro that can be called up by a hot key. While this is great for custom routines, there are a lot of editing commands buried in here as CAL functions. They really belong on the edit menus. Users who rely on the cheat sheet menu reference might miss them completely. Functions like humanize, velocity scaling, wiping automation moves, and splitting Type 0 MIDI files into separate tracks for each MIDI channel are available. I've had some trouble with erratic performance of the last CAL macro; sometimes it separates Channels 1-8 but leaves Channels 9-16 in the source track. This is the only time I've ever experienced a Cakewalk function operating improperly, so this is a minor complaint, and one that Cakewalk plans to address. Summary The program is very easy to learn for beginners and has a ton of features for power users. Copy protection is accomplished with a serial number upon installation, which allows for quick recovery from hard disk failures or system changes - there's no need to deal with authorizations and the like. Cakewalk is very responsive to bug reports and Version 8.0 was quickly updated three times last year with minor bug fixes and miscellaneous improvements. In fact, Pro Audio 91 (a free update) is due imminently. The manual is huge and could be used as the textbook for a course in MIDI and digital audio recording. The Deluxe Edition comes with the Musician's Toolbox, a two-CD collection of tutorials, software demos and MIDI, audio and video files, although license agreements for the latter permit only noncommercial use of the clips.
Most desktop music producers throughout the '90s dreamed of a seamlessly integrated MIDI and audio production environment that offered lightning speed and a vast array of features. Today, a number of applications are rapidly turning that dream into a reality.
Cakewalk's Pro Audio is one of them. Pro Audio has combined MIDI sequencing with multitrack digital audio for several years now, and version 9.0 brings users even closer to living the dream of the virtual studio.
NUMBER 9 . . . NUMBER 9 . . .Pro Audio is an integrated MIDI and multitrack audio recording, editing, and mixing application. Recent versions added features such as real-time MIDI and audio effects; 24-bit, 96 kHz recording; and the ability to sync video files directly to audio tracks. Cakewalk calls the latest version 'Evolution 9,' and I can't think of a finer appellation. Version 9.0 continues the company's tradition of improvements in Pro Audio's features and performance, which has made it a leader in MIDI and audio technology.
Seasoned users of Pro Audio will find version 9.0's graphical user interface familiar. Very little has changed, with the exception of the Console view (see Fig. 1), which has been given a face-lift. Some of the main menus have been rearranged for efficiency as well. Here, we'll cover the new features and enhancements lying beneath the surface.
RIDING THE WAVEPIPEOne of the most important breakthroughs in Pro Audio 9.0 is its new WavePipe technology. WavePipe is a more efficient way for the software to transfer and process audio data. The result is a decrease in audio latency that translates into more-responsive console sliders and an increase in the number of tracks and effects that can be mixed or played back in real time. According to Cakewalk, performance gains vary depending on the sound card you use and the design of its driver. Most users, however, can expect a significant improvement in audio performance.
How well does the WavePipe technology work? To find out, I ran a number of tests with Pro Audio 9.0 on two different systems: a 233 MHz PC with 64 MB of RAM and Digital Audio Labs' (DAL) CardD Plus, and a 600 MHz PC with 128 MB of RAM and a DAL CardDeluxe. On the 233 MHz PC running Pro Audio 8.0, I could play back 16 mono CD-quality tracks with no effects-but just barely. After installing Pro Audio 9.0, I was able to play 20 mono tracks of audio with ease on the same PC. This translates into a 25 percent improvement in performance, so even older systems will see substantial gains. In fact, it wasn't until I loaded 22 mono tracks with four real-time effects that I ran into any dropouts at all.
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Using version 9.0 on the 600 MHz machine, I managed to play 30 mono 24-bit tracks simultaneously without incident. Even with 30 tracks playing, I was using only 20 percent of my CPU and 60 percent of the PC's disk-transfer ability. Pushing harder, I ramped up the project to 30 mono tracks with eight effects, which seemed to be near my limit. This much processing power is great-for the first time ever, I'm confident that Pro Audio is more than able to deliver the virtual mixing performance that I need. The bottom line is that Pro Audio 9.0 increases flexibility by allowing you to avoid mixing down tracks during a project. This way you can keep your options open until it's time to do the final mix.
Another type of performance enhancement can be gained through the use of AudioX, a new protocol for communications between audio hardware and software. AudioX enables Pro Audio 9.0 to address the additional features that a compliant sound card has to offer. Pro Audio automatically configures a Console for the device after determining the features-such as onboard DSP effects, custom bussing capabilities, or word clock-that it offers. AudioX drivers are currently available for several sound cards, including the Yamaha DSP Factory, the Digital Audio Labs TDIF 2496 Pro, and the Sonorus StudI/O.
Cakewalk has given version 9.0 additional CPU and disk meters to monitor audio streaming. These small, helpful displays sit unobtrusively at the bottom of the screen and continuously measure CPU power and disk throughput as your tracks play. For example, if you notice that you're close to maxing out your resources-which can cause dropouts-you can bounce tracks or apply your effects destructively to save processing power. If a dropout does occur, a red warning display will come up. Another small display box indicates the amount of free space remaining on your hard drive.
Cakewalk promised smoother audio scrubbing in version 9.0, and it definitely delivers. In earlier versions, scrubbing was often choppy and fraught with dropouts. Not so with Pro Audio 9.0. In fact, not only does the audio scrub perfectly, but it does so effortlessly, and you can scrub more than one audio track simultaneously, backward or forward.
CAKE MIXPro Audio 9.0 provides many new options for mixing down and bouncing tracks. In older versions, you had to mix down all of your audio to a pair of stereo tracks and then export those in WAV format to create CD-ready files. Now you can select and export any number of tracks-or any section of a track or tracks-and decide which parameters (effects, volume, and panning, for example) will be included. This feature is a huge improvement and a real time-saver. You can save files as mono or stereo, but even better, you can export your files in MP3, RealAudio, and Windows Media formats, as well as in WAV. (Pro Audio uses Fraunhofer/ Thomson's highly regarded MP3 encoding technology.)
A new Apply Audio Effects button can destructively apply effects to all audio tracks in one fell swoop. Previously, you had to either apply effects individually (which could be quite a chore) or perform a mixdown. Keep in mind that processed tracks replace the original, so it's always a good idea to back up your audio in case you want to 'undo' an applied effect. Pro Audio 9.0 also makes more efficient use of the Track view by allowing a single stereo audio clip to fit into a single track. (In previous versions, all tracks were mono.) Pro Audio can even mix and match mono and stereo audio on the same track.
VIEW ENHANCEMENTSAnother improvement is the addition of Record, Solo, and Mute buttons to the Audio view. This is an excellent idea because in past versions, you had to toggle between Track and Audio views to mute and solo tracks. In fact, it's such a great feature that I would like to see it extended to the Staff view as well. Version 9.0 also includes a new global Arm, Solo, and Mute toolbar, which is used to toggle the aforementioned functions on all tracks. For example, if 3 of your 16 tracks are set to Solo, clicking the global Solo button turns off the Solo feature on all 3 tracks at once. However, clicking the button again solos all of the tracks, not just the original 3. The button has its uses-for example, it allows you to arm all tracks for recording at once. Still, some type of 'intelligent memory' feature would make a better addition.
A further enhancement is the ability to assign effects directly in the Track view. (In previous versions, you had to switch to the Console view before performing that function.) This feature 'adapts' to the type of effect appropriate for the track (that is, only MIDI or audio effects are shown as choices on tracks of those types). If you have audio and MIDI on the same track, however, only the audio effects appear. Unfortunately, double-clicking on the Effects field brings up the FX bin, as in the Console view; you must right-click again to access the available effects for that track. After you select an effect, you still don't have access to the effect's editable parameters-that requires yet another double-click. I would prefer the effects list to come up with the first click.
Version 9.0 adds considerable functionality to the Piano Roll view and includes an improved Patch Browser. You can now open, select, and edit multiple tracks of MIDI data simultaneously in the Piano Roll. MIDI data is color-coded on a track-by-track basis, and any number of tracks can be displayed or hidden. The Patch Browser works from the Track view to help you quickly locate a patch, allowing you to search for it by name.
Guitar players will also find useful enhancements in Pro Audio 9.0. These include a new fretboard display, guitar tablature, and a tuner, as well as StudioWare control panels for the Roland GR-30 and Line 6 Pod. The fretboard and tablature displays can be accessed from the Staff view (see Fig. 2). They work much like the Staff view itself, displaying notes and highlighting them as they play in real time. Guitarists who prefer to read tablature or who would rather follow the notes on the fretboard will get a lot of mileage out of these two features. The onscreen tuner is also useful, although it's limited to DirectSound-compatible audio cards and a 16-bit, 44.1 kHz setting.
THE GOODIESOther extras in Pro Audio 9.0 can add polish to both audio and MIDI tracks. Among these are new MIDI plug-ins (see the sidebar 'Get in Style'). The Session Drummer plug-in works with Pro Audio to generate drum tracks instantly (see Fig. 3). It allows you to choose a style and a specific type of drum clip (such as an eight-bar run or a one-measure fill). The 65 available styles include Jazz, Hip-Hop, Rock, Blues, Dance, Latin, and World, and you can easily add your own styles and patterns. Each style has a number of variations. Session Drummer is a great way to create a drum track quickly. The only real drawback is the time it takes to audition all of the available styles.
Cakewalk has also included its AmpSim Lite package, a stripped-down version of the company's FX2 plug-in. AmpSim Lite models the sound of various amplifiers and offers a choice of 'American Lead' or 'British Overdrive.' Like the included Style Enhancer Micro, it is just a teaser, and many of the settings have been grayed out. Even with its limited options, however, AmpSim Lite provides a number of distortion and amp sounds that can be applied to audio. This feature is most useful for dry guitar sounds, but you can also apply it to vocals or even to keyboards. AmpSim Lite can be used destructively or in real time.
JOHANN SUGGESTION BOXAlthough Cakewalk Pro Audio 9.0 is a great tool, it could still use some improvements that I would like to see in upcoming versions. First, Cakewalk should include some kind of spectral analysis tool, perhaps even something that could be used in real time. After using such a feature in other audio applications, I realize how crucial it is for zeroing in on mixing problems. (Third-party analysis plug-ins are available for this function.) Also, a MIDI Volume offset that affects all Volume data in selected tracks would be a helpful addition. Currently, changing the volume on the Track view won't work if there are variations of volume inserted into the track itself. You can, however, use a CAL (Cakewalk Application Language) script or the Interpolate command to achieve this effect.
There is one area in which Pro Audio 9.0 seems to have taken a step backward: the Remove Silence function. In previous versions, audio events retained their integrity when this process was applied; that is, they remained in place. In the new version, the Remove Silence command actually splits and deletes sections of the audio event, making it more difficult to edit or move events in the Audio view than it was in the past.
Finally, I would like to see some of Pro Audio's bundled audio effects upgraded. Although the Parametric EQ has been improved, most effects remain unchanged from recent versions. Adobe premiere pro cs6 torrent. I would suggest adding some new effects, such as a phaser, a wah wah, an intelligent harmonizer (for both MIDI and audio tracks), and a 30-band graphic stereo equalizer.
Overall, Pro Audio 9.0 is a significant upgrade that brings this application one step closer to the dream of seamless desktop audio production. Users of version 8.0 and earlier should upgrade immediately. (Trust me, don't even think twice.) For new users, Pro Audio 9.0 is a complete and easy-to-use MIDI and audio application that can take a project from conception to CD-ready WAV file. It has more than enough features to keep both amateurs and professionals busy for a long time. Take it from me: before you've exhausted the possibilities of Pro Audio 9.0, Cakewalk will have released version 10.
Phil Darg is an independent composer and producer. His latest work is the instrumental jazz CD Powder Blue Tux and Empty Arms.
GET IN STYLEOne of the most interesting new additions to Pro Audio 9.0 is a 'lite' version of Ntonyx's Style Enhancer Micro (SEM) 1.28. SEM is a MIDI plug-in for Cakewalk that uses Performance Modeling technology to generate MIDI controller commands and note patterns. This plug-in can transform data in ways similar to CAL (Cakewalk Application Language) routines, but it has a graphical interface and is much more advanced. In reviewing Pro Audio 9.0, I had the opportunity to look at the full version of this application and was impressed with its ability to increase the liveliness of MIDI tracks in a realistic fashion. Styles are the key to SEM. A Style is a process that is applied to elements of a track or a range of data and can be as simple as arpeggiating a chord or as complex as adding large amounts of MIDI controller data to help shape a phrase. Each Style includes a description of the type of data with which it is intended to be used (see Fig. A). For example, one Style might be best suited to a single-note melody at a moderate tempo, while another might be intended to process a sequence of slowly moving chords. (Of course, you can try any combination of Styles and MIDI data you want, but you're not guaranteed to see useful results.) Although I needed some practice to get SEM working effectively, I soon discovered that it does some amazing things.
I tested one of the piano-accompaniment Styles by applying it to a series of piano chords I had stepped in. The result was an entire track of piano notes-with expression-that fit the chord progression I'd created. I also applied one of the guitar Styles to a guitar part and was impressed with how the plug-in simulated the vibration and decay of a guitar string by adding a slight amount of Modulation Wheel and Expression Controller data to the notes.
Another Style was useful for creating 'sliding bass' lines. It added Pitch Wheel data to the part so that notes glided smoothly from one to the next. An entire set of Styles is intended for drum music, including one that can expand the range of dynamics in the part by assigning a random offset above and below the existing notes' Velocity values. I also found that the SEM brass Styles worked particularly well to create simulations of breath action, giving MIDI brass tracks much more expression and life than they had originally.
You can check out many different purchase options and bundles at Cakewalk's Web site (www.cakewalk com). These include a large library of additional Styles that can be used once you've upgraded to the full Cakewalk plug-in version of SEM. Another version of the software, called simply Style Enhancer (SE) 2.1, functions as a stand-alone product. SE comes with some sequencer functions and offers numerous additional parameters for tweaking Styles and altering data. (You can learn more about SE 2.1 from Ntonyx's Web site at www.ntonyx.com.)
Cakewalk Pro Audio 8
If you've ever said to yourself, 'Gosh, my MIDI tracks sound lifeless,' you may want to check out Ntonyx's Style Enhancer Micro 1.28. It won't put a live band in your basement, but it can sure help your modules sound more realistic.
If you intend to purchase or upgrade to Pro Audio 9.0, be sure to check the version number as soon as you get the software installed (select the Help 8 About Cakewalk option). Users of the original version 9.0 run the risk of losing data if they happen to specify the same directory for storing both their audio data and the PICT files that are used to show the waveform of a file. You can go to the Options 8 Audio 8 Advanced tab and change the settings there, if necessary.
If you already have version 9.01 or higher, you won't have a problem. (Further information can be found at Cakewalk's Web site, where free 9.0 upgrades have been posted.)
Interestingly, the feature that led to this potential hazard also has an upside: Pro Audio now creates WAV files using the standard file extension, which means you can open and play the audio files that you create in Pro Audio outside of the program without having to export them. Before, simply replacing Cakewalk's audio-format file extension WA~ with the traditional WAV extension would render the files unrecognizable by Pro Audio, even when they were converted back to WA~.
Cakewalk was a Digital Audio Workstation (DAW) first developed by Twelve Tone Systems, Inc. (the company later known as Cakewalk, Inc.). Originally for DOS, starting with version Cakewalk 1.0 in 1987,[1] and, beginning in 1991, for Windows 3.0. Cakewalk, until version 4.0 required an MPU-401MIDI interface card operating in intelligent mode, while 4.0 and later versions relied on the dumb UART mode only. Cakewalk was delivered in two versions, Cakewalk Pro and Cakewalk Express.
The latter was a lite version limited to 25 tracks and 1 MIDI output port. The Express version was sometimes bundled with hardware such as a sound card. Cakewalk was a purely MIDI based sequencer: Although it could trigger WAV files at certain points, more comprehensive audio support was not incorporated until the advent of Cakewalk Pro Audio when true support for digitized audio was added.
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Cakewalk Professional 1.0 for DOS
Features[edit]
The last version of the product featured a piano roll editor, support for limited music notation and a built-in scripting language called CAL (Cakewalk Application Language).[2] Cakewalk was a predecessor of SONAR which had nearly all of the same features, including support for CAL, and was the only major DAW on the market supporting a scripting language.
Cakewalk had piano roll and CAL support since the Windows 16-bit Version 3.01.
See also[edit]Cakewalk 9 Free DownloadReferences[edit]
Further reading[edit]
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Cakewalk_(sequencer)&oldid=892551701'
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